Fika

Join us TODAY when Geoff Delanoy, Lindsay Metivier, B. Proud, E. Brady Robinson, and Elena Volkova share their strategies for teaching studio lighting photography in our virtual classrooms. Similar to last week, we’ll use the meeting more as an open forum/workshop. Each of our guests will share their thoughts on teaching studio lighting virtually. See you Soon: JANUARY 20th, [...]

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FotoFika Awesome people! I’ve consolidated down the Q&A from our workshop. I hope you’ll find it helpful. Thanks to everyone who contributed.     Q: Fewer assignments and fewer prints does not seem unusual during this time. What strategies might you be employing to still have rigor in your classroom? Or can you? Does less [...]

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Reminder– We will be having a FotoFika Workshop on January 6 at 4PM EST to talk about teaching darkroom photography with reduced, distanced or non-existent class darkroom time. Online, Hybrid and Traditional all have their challenges and advantages and I am hopeful that once Covid no longer dictates our teaching we will emerge with more [...]

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For our final FotoFika of 2020, Assistant Professor, Jonathan Molina-Garcia from VCUarts will join us.  Molina-Garcia was already using hybrid teaching/critique strategies in his classroom even before COVID 19 and has since incorporated innovative remote teaching and student focused engagement at both the grad and undergraduate level. Jonathan Molina-Garcia is an assistant professor of Photography [...]

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This Wednesday Ben Gest will be joining us to continue our conversation about critiques, he’ll be introducing us to his critique software – Atget Studio. Atget Studio provides a simple digital platform that makes a back-and-forth exchange between creator and teacher fast and effective. Ask questions, share your art and receive critical and clear feedback [...]

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We were so lucky to have Terry Barrett come to FotoFika on Wednesday. I’ve been a shoot-from-the hip kind of professor and I don’t think I can ever be any other kind. As Mark Klett says we are paid to think on our feet. Responding to the individual, to the moment, to what is on [...]

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Please join FotoFika this week as Anne, Betsy and John host Terry Barrett for “Interactive Crits”an informal discussion of rationales and strategies for studio critiques during troubled times. 4pm EST – Wednesday, 11/18/20 Zoom Link: https://zoom.us/j/93761631388 Terry Barrett is the author of books on criticism and aesthetics including Criticizing Photographs and CRITS. A new edition [...]

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My thinking about critique was piqued for three (and then more) reasons this fall. Before the semester started in a meeting with John and Anne, Anne suggested we watch this video, The Room of Silence addressing ways in which some BIPOC students feel in critiques. I began to think a lot about race and critiques. [...]

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Two weeks ago I was lucky enough to login to Nick Shepard’s presentation at the SPE Online Conference for the Mid-Atlantic and Southeast Chapters.  The amazing Nick Shepard created multi camera studio set up in an AirBnB with borrowed equipment and available lighting, using his laptop, a cell phone and an old 5D Mark II [...]

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Teaching during Covid 19 provided us with plenty of Unknown Unknowns, to quote Donald Rumsfeld during the disaster that was the Iraq war.  At this point we have have more Known Knowns and more awareness of what we don’t know than we did in the spring.  Knowing what we don’t know gives us an opportunity [...]

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Thank you to everyone who has contributed to the databases! There are so many new entries on all three and I encourage you to visit often and continue to add entries so that we can have truly inclusive resources: https://fotofika.org/data/ The Inclusive Photographer database has added 36 entries!  The Inclusive Classroom database has added 14 [...]

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And it continues, you can’t make this shit up.  This week. An insane debate with three old white guys, maskless in a room (albeit large) for 90 minutes fighting to talk like a really really bad Thanksgiving dinner, only they were discussing issues affecting the entire planet–and then one is positive for Covid. (Don’t get [...]

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Last week the Northwest Chapter of the Society for Photographic Education hosted their annual conference online as part of a series of weekend conference programs by SPE chapters.  This week the Midwest Chapter is hosting three days of programing starting tomorrow.  All of the speakers are listed at: https://2020-spechapterconferences.heysummit.com/ The SPE membership drive runs through [...]

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    Marni Shindleman leads the photography, Art X and AB in Interdisciplinary studies programs at UGA, which has one of the highest rates of Covid+ students in the country.  They  have mandated face to face classes. It is a crisis of all sorts.  She told us: “I wake up some days in tears and [...]

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Authors

John Freyer

John Freyer is an artist, author and educator based in Richmond Virginia. His projects include All My Life for Sale, Big Boy, Live IKEA, Free Ice Water, and Free Hot Coffee Freyer is an Associate Professor of Cross Disciplinary Media at Virginia Commonwealth University. Freyer’s practice engages accidental audiences in galleries, museums, and public spaces. He explores the role of everyday, personal objects in our lives – as commodities, fetishes, and totems and investigates how the circulation of objects and stories enrich social ties between individuals and groups. He earned his B.A. from Hamilton College and M.A. & M.F.A. from the University of Iowa. His work has been reviewed in The New Yorker, The Sunday London Times, Artforum, Print Magazine and NBC’s The Today Show. Freyer is a Fulbright Scholar, a Macdowell Colony Fellow and was an Artist in Residence at Light Work and the Fannon Center, Doha, Qatar. Freyer has brought his social practice projects – Free Ice Water and Free Hot Coffee to the TEDx stage, has exhibited at Mixed Greens Gallery in New York, the Liverpool Biennial Fringe in Liverpool, UK and was a 2018 Tate Exchange Associate at Tate Modern, London.

Anne Leighton Massoni

Anne Leighton Massoni, is the Dean | Managing Director of Education at the International Center of Photography in New York City. She has held positions at Marshall University, Cornell University, Tyler School of Art, Washington College, Memphis College of Art, Monmouth University and the University of the Arts.

Massoni graduated with a MFA in Photography from Ohio University and BAs in Photography and Anthropology from Connecticut College. Her work relates to ideas of both real and fabricated memories and identity, using a variety of film and digital techniques.

She has exhibited nationally and internationally including the H. F. Johnson Museum in New York, The Print Center in Philadelphia, The Sol Mednick Gallery in Philadelphia, NIH in Washington, DC, the Allen Sheppard Gallery in New York City, Newspace Gallery in Portland, Rayko in San Francisco, the East End Film Festival in London, England, the International Mobile Innovation Screening in New Zealand and Australia, and IlCantinonearte Teatri e Galleria del Grifo in Montepulciano, Italy. Recent publications of her work include ASPECT: The Chronicle of New Media Art and SpostaMenti, an exhibition catalog of her series “Holding” and The Photograph & The Album, Published by MuseumsEtc in England. She co-edited The Focal Press Companion to the Constructed Image in Contemporary Photography with Marni Shindelman.

Betsy Schneider

Betsy Schneider is a photographer and filmmaker who explores and documents transformations of individuals and families over time and place. She is a Guggenheim Fellow and her work has been shown in major museums and festivals around the world.  A former national board member for SPE. From 2002 to 2016 she was a professor in the School of Art at Arizona State University, in 2016 she relocated to the Boston Area and since then has continued to work for ASU as a lecturer, designer, developer and coordinator of an unique online BFA in photography. She has recently taught at Harvard, MassArt and Hampshire and currently teaches online for ASU and at Emerson College.